VIBRATIONS OF THE SOUL 2010
by Kevin Nolan
Nolan's debut volume of poetry. The book's
foreword was written by Irish poet Patrick Deeley.
In this, his first collection of poems, Kevin Nolan chooses ‘the road less travelled’ and sends back to us his brave, fresh take on the world, in collaboration with the artist John Nolan.
Whether plain-spoken and direct, or offering delicate lyrical flourishes, or tilted at an oblique or an abstract angle, these meditations stay true to the impulse that prompts them.
They make a quiet yet ardent appeal. Their insights come of close observation of nature and humanity both under duress, of hard experience in face of which the poet remains open and attentive to what the day – or the dark – may bring.
Here they stand – what K.J. calls his “prayers of a poet” – alongside and intermingling with the startling hues and shifting dimensions of John Nolan’s sumptuous colourscapes. We gather round; we lean in, looking and listening.
Wake Narrow The Naked Phrase 2016
by Sissy La Rap
Word from Peter Murphy from W.N.T.N.P.
A couple of years ago, at the launch of Rob Doyle’s first novel, I met Kevin Nolan, an intense young musician and writer who’d just released an album entitled Fredrick and the Golden Dawn. In the space of about two minutes he gave me one of the most persuasive pitches I’d ever heard. He didn’t do it in a pushy advertisements-for-myself way, nor did he pretend to be doing any thing other than what he was doing, which was soliciting my attention on behalf of his art.
This spiel, delivered hushed but rapid-fire, alluded to everything from Federico Garcia Lorca to the Birthday Party. Here was a Dublin musician taking inspiration from art and movies and literature in the same way our heroes – the Velvet Underground and David Bowie and Lydia Lunch and Tom Waits –had in their own time. A precious thing in an era when pop music seems self-referential to the point of inbred.
I listened to Fredrick and the Golden Dawn on the trip back to Wexford. It was a brilliant record, assured and teeming with ideas. Kevin and I stayed in contact, played some shows together, even collaborated on a poem or two. One morning in the National Gallery we had long talk about the nature of identity and art and all that stuff, and I was interested to learn that Kevin had co-written a book –Schizo Poetry: Fragments of the Mind – with German visual artist Susanne Wawra.
Susanne’s work is a self-professed exercise in reconstructing her identity by transmuting fragments of her own past into art. But her images are not the sepia tint of faded Kodak snaps: they’re loud and vibrant. It’s like she’s some magpie who’s been vaporised by alien gamma rays and is attempting to piece herself back together from memory.
In this second collaboration Kevin and Susanne employ a ping-pong approach to collaboration, writing words in turn, each word a response to the last. The process results in an erasing of identity, burning away flesh and bone, leaving only the fumes of art.
You hold in your hands the result of their second collaboration, published under the name Sissy La Rap. I love the name. It reminds me of Theresa Stern, the pseudonym under which Richard Hell collaborated with Tom Verlaine. In the afterword, Sissy confesses that she does not exist. But she does exist, as a separate consciousness, the Third Mind of Gysin and Burroughs’s conceptions. Her poems are holistic cut-ups, surreal and jagged, organically hatched but jarring in their discontinuity. Mongrel poems, orphan poems, poems that have learned to survive in a hostile world, hardy as bacteria.
I want never to be completed, they say. That would be death.
Cursed Murphy (Peter Murphy, Author of John The Revelator and Shall We Gather at the River and Cursed Murphy Versus The Resistance)
"This is a very unique
concept the likes of
which have not been seen before in Ireland
and could cause a new trend of collaborative poetry here"
- Pure M Magazine, Shauna Golden
FRAGMENTS OF MIND 2013
by Kevin Nolan & Susanne Wawra
Fragments of Mind is a volume of poetry written by two authors. Poly-medum artist Kevin Nolan and visual artist Susanne Wawra. The word 'schizo' means 'split'. Here the two authors coin their own poetic process Schizo-Poetry. This process is realised in poem pairs with the same title that split each individual viewpoint into two perspectives. Thus book is the first of a collaborative trilogy by the duo, exploring schema, process, device and conceptual collaboration.
The starting point and title for each poem is a colour, from which the poets write into their own direction. The resulting two interpretations are presented aside each other in this book.
These poems reach from light to dark, bliss to despair, humour to sincerity. They are brimming with sensations, emotions and sentiment in their exploration of life, feeling and meaning. While each individual poem tells a story and provides us with a fragment of mind, it is the juxtaposition of both renditions that takes on its own dynamic. It is an invitation to compare, combine and construct a greater layer of connotation, interpretation and significance.
Colours evoke associations, moods and memories. Each takes on other forms, doubled by the exploration of both poets. Dive into the waves of glaucous (blue-green-grey), catch the rays of flavescent (yellow) and experience the depths of melanic (blackest black). A "tsunami of colour" has been built up by Wawra and Nolan's willingness to address the diverse spectrum of life and mind in poetic form.
The first poem in each set is written by Wawra and the second by Nolan and the first letter of each poem title spells out 'Fragments Of Mind'. For this collection, the foreword was written by poet Patrick Deeley author of The Hurley Maker's Son, Doubleday Ireland and an introduction by John Saunders, Director of Shine.
Fragments of Mind is published with Shine Arts.
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